Elijah Wood sure has slipped comfortably into B-movies after his stint at the Shire, hasn’t he? When I first stumbled upon Open Windows, I was expecting something along the lines of Wood’s bomb-in-a-piano thriller Grand Piano. There are similarities: both films are quintessential B-thrillers, escalating a catchy premise into something tense (and a little silly). But where Grand Piano operated as a metaphor for all-consuming artistry, Open Windows delves into cyberspace, engulfing its audience in a labyrinthine narrative that’s either intricately constructed or entirely unintelligible.
You see, Open Windows spirals out from a voyeuristic hook – blogger Nick Chambers (Wood) is invited to enact his obsession for acclaimed actress Jill Goddard (Sasha Grey, an ex-porn-star playing a chaste starlet, natch) – into a dizzying surveillance thriller, with car chases, gunfights and coerced stripteases. It’s well-constructed enough to hold your interest throughout – even as you might lose your grip on the plot after the eighth or ninth plot twist – but its chief appeal is its innovative visuals. Taking place entirely on a laptop screen spotted with dozens of chat/surveillance windows (hence the name), director Nacho Vigalando elevates the brazenly trash material with some mind-bending imagery, particularly in its last half. Worth a look.
8 thoughts on “Open Windows (2014)”
Hmmm. I have been wondering about this one. Your write up has me wanting to see it, mainly cos of your description of how it looks (laptop screen). I loved the parts in Room 1408 where he was trying to use the laptop, I know this will be different but you have piqued my interest. Is this out on DVD?
I think it comes out on DVD in Australia either tomorrow or Thursday (I had a review copy, but I know it’s out soon).
Glad to hear this one is worth a look. It’s been sitting in my Netflix Queue for a while now, so I’ll have to give it a go sometime soon.
I think you’ll like it! It’s a lot more creative visually than you’d expect from its premise.
I quite like the fact that Elijah Wood won’t let himself be pigeonholed. This sounds like an interesting one.
Yeah, and it helps that he’s choosing interesting films at this kinda B-grade level. Neither Grand Piano nor this would ever break through to serious money/acclaim, but they’re both way more interesting than similar films at that price level/genre.
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