3 From Hell is that it doesn’t really have a substantial enough idea to justify returning to a decade-old franchise.
There’s nothing especially original about neo-slasher The Furies, but its purity sets it apart.
Halloween is only days away, and what better way to celebrate the occasion with a bevy of horror films at this year’s iteration of Monster Fest?
This is mostly an excuse for Michelle Williams and Julianne Moore to flex their acting muscles.
Horror comedies are hard. Ready or Not proves they don’t have to be.
At its best, Blinded by the Light is an encapsulation of the power of music.
Zombieland: Double Tap will sell tickets off the promise of exploding zombies and sarcastic asides. Thankfully, it has both in droves.
Monos is a surprising film, which is perhaps the best thing an arthouse film can be.
Hustlers is not only a raucously entertaining riff on gangster tropes – it also has its own perspective.
Ghost Town Anthology obliquely explores the sliver of seflishness at the core of grief.