Alright, here we go – I’m writing about board games. While I alluded to this in my COVID-inspired ‘A New Chapter for ccpopculture’ post, this time I committing. These new pieces – tentatively titled Board Game Bits, which may even become its own site at some point – will focus on discrete aspects of a…
You might have noticed that ccpopculture hasn’t really been firing on all cylinders this year. Or you might not have – 2020 has been a shitshow of a year, after all, and I would understand if your interest in some mid-30s Australian dude’s film website has waned under the circumstances. This is my first post…
Babyteeth never struck me as a bad movie, but it never engaged me enough to become a good one.
The King of Staten Island isn’t going to be anyone’s favourite film. But it’s nice. It feels authentic. It’s even a little moving from time-to-time.
The Assistant is an important corrective to bombastic Hollywood takes on this subject.
We Summon the Darkness is a perfectly competent horror film.
Bloodshot is a Bon Jovi movie. I call it that because – in every respect – it’s only halfway there.
Dark Waters interrogates the clash between corporate values and America’s espoused Christian ideology with astonishing sophistication.
Guns Akimbo is blessed with a few encouraging attributes, but undermined by its messy, misguided politics.
The Invisible Man is a showcase for its writer-director’s obvious love and talent for genre cinema.
Thanks to Universal Pictures Australia, ccpopculture has 5 double passes to give away to Queen & Slim, releasing in Australian cinemas Thursday March 12th.