With It: Chapter Two, Andy Muschetti Captures the Weird Resonance of Stephen King’s Novel
You might not like It: Chapter Two. But I loved it.
The Farewell (2019)
The Farewell is well-crafted, undeniably, but it’s not for me.
The Punishing but Captivating Dragged Across Concrete Transcends Its Controversies
Whatever the controversies surrounding this film, you can’t deny the captivating atmosphere that Zahler has crafted.
Burn (2019)
There’s a spark of originality in Burn, though it’s near smothered by its more-than-familiar elements.
The Nightingale (2018)
The Nightingale is a spare, brutal portrait of the realities of Australian colonialism: murder, genocide and rape.
Midsommar’s Daytime Horror is Beautiful but Ultimately Underwhelming
There’s a glimmer of a good, even great, film lurking within Midsommar, even if it’s ultimately disappointing.
The Lion King Remake Corrodes Its Legacy
The Lion King adds nothing. All it does is subtract.
