Horror comedies are hard. Ready or Not proves they don’t have to be.
At its best, Blinded by the Light is an encapsulation of the power of music.
Zombieland: Double Tap will sell tickets off the promise of exploding zombies and sarcastic asides. Thankfully, it has both in droves.
Monos is a surprising film, which is perhaps the best thing an arthouse film can be.
Hustlers is not only a raucously entertaining riff on gangster tropes – it also has its own perspective.
Ghost Town Anthology obliquely explores the sliver of seflishness at the core of grief.
Judy and Punch is most successful in its blackly comic mode; less so as a revenge fantasy.