Bloodshot is a Bon Jovi movie. I call it that because – in every respect – it’s only halfway there.
Dark Waters interrogates the clash between corporate values and America’s espoused Christian ideology with astonishing sophistication.
Guns Akimbo is blessed with a few encouraging attributes, but undermined by its messy, misguided politics.
The Invisible Man is a showcase for its writer-director’s obvious love and talent for genre cinema.