Though well-intended, Ford v Ferrari’s insistence on old-fashioned filmmaking means it trades any insights for entertainment.
Dark Fate is, in my book, the best attempt to continue the Terminator franchise since 1991. It’s a shame that it just happens to be dead on arrival.
3 From Hell is that it doesn’t really have a substantial enough idea to justify returning to a decade-old franchise.
Horror comedies are hard. Ready or Not proves they don’t have to be.
Zombieland: Double Tap will sell tickets off the promise of exploding zombies and sarcastic asides. Thankfully, it has both in droves.
Monos is a surprising film, which is perhaps the best thing an arthouse film can be.
Hustlers is not only a raucously entertaining riff on gangster tropes – it also has its own perspective.