Dunkirk is the final act of a horror film… but as a full-length movie.
The aching, vacant tone that director Charlotte Sieling adopts here feels like a distant echo of Buñuel’s satire.
Baby Driver has been widely compared to musicals; but this ain’t no musical. This is a mixtape movie.
It feels like a surprise that Spider-Man: Homecoming is as good as it is.
It Comes at Night unnerves its audience through its destabilising insistence on avoiding explanation.
The Mummy isn’t a travesty. It’s just Red Rooster, and everyone’s already at KFC or McDonalds.
Is Wonder Woman the saviour of DC? Let’s not get too far ahead of ourselves.