Babyteeth (2019)
Babyteeth never struck me as a bad movie, but it never engaged me enough to become a good one.
The King of Staten Island (2020)
The King of Staten Island isn’t going to be anyone’s favourite film. But it’s nice. It feels authentic. It’s even a little moving from time-to-time.
The Assistant (2019)
The Assistant is an important corrective to bombastic Hollywood takes on this subject.
We Summon the Darkness (2019)
We Summon the Darkness is a perfectly competent horror film.
Bloodshot (2020)
Bloodshot is a Bon Jovi movie. I call it that because – in every respect – it’s only halfway there.
Todd Haynes’ Latest Masterpiece, Dark Waters, Contrasts American Corporate Culture with its Espoused Christian Ideology
Dark Waters interrogates the clash between corporate values and America’s espoused Christian ideology with astonishing sophistication.
Guns Akimbo (2020)
Guns Akimbo is blessed with a few encouraging attributes, but undermined by its messy, misguided politics.
Genre Mastery and True Terror: Leigh Whannell’s The Invisible Man
The Invisible Man is a showcase for its writer-director’s obvious love and talent for genre cinema.
Giveaway: Win Double Passes to Queen and Slim [COMPLETED]
Thanks to Universal Pictures Australia, ccpopculture has 5 double passes to give away to Queen & Slim, releasing in Australian cinemas Thursday March 12th.
Colour Out of Space (2019)
Stanley’s film eschews familiar threats for something indefinable.
