Cinema Paradiso (1988)

Salvatore Cascio in Cinema Paradiso (1988)

I expected to hate Cinema Paradiso a few minutes in. I’m not sure what it was. Perhaps the “ain’t-I-a-stinker” grin of Salvatore Cascio, playing young ‘Toto,’ the film’s protagonist? Or maybe it was the syrupy silliness of early scenes involving an exasperated priest censoring films of any “pornographic” kissing scenes.

Little by little, the film won me over. Cinema Paradiso is steeped in sentimentality to the point of schmaltz, constructed as a sine wave of feel-good into feel-bad moments. Nonetheless its emotion resonates thanks to sweeping, sunny cinematography and a moving score from Ennio Morricone. By the time an outdoor cinematic presentation took a dramatic turn, I was convinced. When the conclusion arrived, with ‘Toto’ – Salvatore – now a successful director filled with nostalgia and regret, watching those “pornographic” clippings, it was impossible to not be moved.

Sentimentality is so often reduced to sappy drivel or audience manipulation. But Cinema Paradiso demonstrates that raw, unfiltered emotion isn’t anything to be belittled when executed with such talent. This love letter to film understands that movies are truly successful when they surpass plot and character and cinematography to connect on a fundamental, emotional level with their audience – as Cinema Paradiso did with me.

Rating: 193/200

9 thoughts on “Cinema Paradiso (1988)

  1. Nice review! I was a little worried at the start of the review but I’m glad it won you over in the end. Probably my all-time favorite movie ending. Yes, I think it was number one on my list of favorite endings… So lovely. 🙂

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s