Escape Room Brings a Fresh Hook to a Familiar Sub-Genre
Escape Room is like Cube meets Saw meets Hostel …minus the gratuitous gore.
Escape Room is like Cube meets Saw meets Hostel …minus the gratuitous gore.
Like many horror films, Hereditary corrupts the familial safety of domesticity, but it inverts the traditional perspective.
Thanks to Paramount Pictures Australia, ccpopculture has 5 double passes to give away to A Quiet Place, releasing in Australian cinemas Thursday April 5th.
Thanks to Roadshow Films Australia, ccpopculture has 5 double passes to give away to It Comes at Night, releasing in Australian cinemas Thursday July 6th.
James Wan’s haunted house oeuvre is a well-oiled machine. Creaky floorboards and fearsome presences roll off the production line like clockwork; creepy, broken, grandfather clockwork. And, although The Conjuring 2 is bound by formula, when the scares are this good, I’m happy to buckle my seatbelt and enjoy the ride. Wan’s recent good form (Insidious et al) is…
Here are the top 20 films from 2014! I’ve decided to stick to films that received an Australian theatrical or home entertainment release in the 2014 calendar year or films that screened at an Australian festival but haven’t yet been picked up for 2015 release. This means that 2015 films that I have seen (like,…
Jennifer Kent’s The Babadook remains one of the best – and scariest – horror movies of 2014, with only Oculus providing any real competition (for further details, check out my review from earlier the year!). Halloween heralded both its home entertainment release and its international cinematic release, where it’s raked in much more dosh than…
The last time I wrote about the Brisbane Asia Pacific Film Festival, my attitude was one of scepticism. And, I’ll concede, a modicum of bitterness. You see, the birth of BAPFF meant the death of BIFF (the Brisbane International Film Festival), the latter cut down in its prime (at twenty-one years old!) to pave…
It’s a rare film that can balance the supernatural and the psychotic. It requires walking the razor’s edge of taut surrealism without toppling into ridiculousness or incoherency. A few films have succeeded – Repulsion, The Innocents, The Shining, Eraserhead. And now, The Babadook. A feature length adaptation of Aussie director Jennifer Kent’s 2005 short Monster,…