Genre Mastery and True Terror: Leigh Whannell’s The Invisible Man
The Invisible Man is a showcase for its writer-director’s obvious love and talent for genre cinema.
The Invisible Man is a showcase for its writer-director’s obvious love and talent for genre cinema.
Thanks to Universal Pictures Australia, ccpopculture has 5 double passes to give away to The Invisible Man, releasing in Australian cinemas Thursday February 27th.
The depth and ambiguity of Us’s underlying metaphors is thought-provoking in a way that eclipses its contemporaries.
The thesis of The Square is simple: humans are selfish motherfuckers who only act benevolently because of the pressure of polite society.
So it turns out I’m not much of an Alex Ross Perry fan. I watched Listen Up Philip, Perry’s third feature, with high expectations. I’d heard positive things about this intelligent indie film, and its cast – Elisabeth Moss, Krysten Ritter, Jonathan Pryce and Jason Schwartzman as the titular Philip, a self-obsessed semi-successful New York…
There’s a conspiratorial tenor to the discourse about Charlie McDowell’s The One I Love, as critics are driven to conniptions contemplating how to discuss the film’s concept. A quarter hour into The One I Love, the rug is pulled from under you as a secluded couple’s getaway – that troubled spouses Mark Duplass and Elisabeth…
Mad Men is one of my favourite shows, but I deliberately chose not to cover it for season six; its dense symbolism and layers of meaning are nigh-impossible to deconstruct in two hundred words, and, besides, I’ll never approach the quality of Zoller Seitz’s or Sepinwall’s analysis. Season six was ultimately a disappointment compared to…