As a teenager, I would’ve loved the Spierig Brothers’ time travel thriller Predestination; over a decade later, I’m not as enamoured of its conceptual ambition. The film sees Ethan Hawke and Sarah Snook dart and swerve through an entwined net of plot twists taken from a conceptual short story (“All You Zombies”) by Robert Heinlein.…
Australian cop flick Felony opens with a perfunctory action scene – the only scene in the film that fits that description. Detective Malcolm Toohey (Joel Edgerton, star and screenwriter) gives chase to a crim fleeing the scene, and earns a deposit of lead in his bulletproof vest for his trouble. Struggling to his feet, he…
Within the rusted, mud-splattered framework of William Friedkin’s Sorcerer is a distillation of 1970s American cinema. It has the bruised masculinity of Taxi Driver, the abiding pessimism of Chinatown and the nightmarish madness that would send Coppola deep into the jungles of the Philippines for Apocalypse Now. It’s fitting that its release would be eclipsed…
There’s a conspiratorial tenor to the discourse about Charlie McDowell’s The One I Love, as critics are driven to conniptions contemplating how to discuss the film’s concept. A quarter hour into The One I Love, the rug is pulled from under you as a secluded couple’s getaway – that troubled spouses Mark Duplass and Elisabeth…
The 2014 Israeli Film Festival kicks off tonight in Brisbane and Melbourne, with screenings in other Australian capitals to follow. With the Gaza situation plastered all over the news recently, it’s certainly a difficult time to promote a film festival celebrating the work from a country engaged in such devastating warfare (with questionable tactics, to…
Discussing IkkiTousen’s third season, I described the show as “sexist, and stupid, and slapdash”.” Nonetheless I obviously enjoyed it enough to return for Xtreme Xecutor, season four of the anime. What made me come back for more was the appeal of the show’s “insistence on the insubstantial” – it’s as substantial as a helium balloon,…
There’s no reason Nurse 3-D couldn’t have worked. A bloody mixture of sex-negative horror, nurse sexploitation and American Psycho sounds like it should be an interesting mess. Instead Nurse 3-D is just bloody terrible, a Frankenstein’s monster lurching awkwardly through the detritus of better B-movies, assembling the occasional “so-bad-it’s-good” moment within its remarkably tedious eighty-four…
In order for a documentary to be great, is it obliged to be innovative? Some of the best documentaries I’ve seen over the past year – Stories We Tell, My Winnipeg, The Act of Killing – are innovative in one way or another, whether it’s through a self-reflexive examination of the process of documentary-making or…
Half of a Yellow Sun is constructed around the proven formula of personal drama against the backdrop of political upheaval. The personal drama involves the many infidelities – and repercussions that follow – of a group of Nigerian bourgeoisie played by the likes of Thandie Newton, Chiwetel Ejiofor, Anika Noni Rose and John Boyega. The…
“I don’t see nothin’ but what I’m lookin’ at.” This line – or variations thereof – is repeated in John Slattery’s God’s Pocket, as ordinary folk reassure one another that they have no interest in the other’s minor misdeeds. It’s also a reasonable description of my reaction to the film; it’s not bad, but it…
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