Sausage Party (2016)
If you can stomach Sausage Party’s dire string of lazy racial caricatures and innuendo for an hour, the final sausage in the chain is pretty tasty.
Louder than Bombs (2015)
Louder than Bombs is an unconventional, masculine melodrama. It’s a melodrama in the sense that it revolves around familial conflict, domestic secrets and intense emotions; masculine in the sense that it’s reserved, quiet and inarticulate.
Tony Soprano Meets The Bluths: How ‘BoJack Horseman’ Is Playing With The Golden Age Of TV
If Netflix is the future of television, then TV’s future might look a lot like its past.
Backtrack (2016)
An underwhelming Aussie thriller that collapses under the weight of its own twists. At least it looks nice.
Suicide Squad is a Sugar Rush and Sugar Crash All at Once
Suicide Squad is a feature length trailer. It’s structured like a videogame and plotted like a D&D campaign where everyone’s roleplaying chaotic evil. Anyway, I kinda liked it.
Absolutely Fabulous: The Movie (2016)
Absolutely Fabulous: The Movie offers fans another crazy, glamorous adventure with characters that are as colourful as the film itself. Laughs, cameos and questionable life choices galore – welcome back Sweetie Darlings!
Jason Bourne (2016)
Jason Bourne is back! Bourne again. Re-Bourne. Bourne to be wild – again! Okay, I’ll stop.
Star Trek Beyond Boldly Goes Where Sci-Fi Films Have Gone Before
The third instalment in the Trek reboot embraces its inherent whimsicality. However, the narrative is all too familiar, borrowing numerous tropes from similar films in the sci-fi genre.
Love & Friendship is a Delightfully Droll Austen Adaptation
Love & Friendship – Whit Stillman’s spin on Jane Austen’s novella Lady Susan – is a deftly-executed delight, a lilting melody of acerbic one liners and charming repartee.
A Letter to Momo (2011)
This gorgeous Japanese animation film warrants its recent Australian HD remaster, but can’t help but pale in comparison to the work of Miyazaki, which it strongly resembles.
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