I’m not sure if this is an overreach, but I feel like Sofia Coppola’s choice to make a biopic of sorts about Marie Antoinette is a feminist statement in of itself. That probably requires some justification, so here goes: what comes to mind when you hear ‘Marie Antoinette’? For me – and I imagine for…
Against Me! played on the same main stage that the Red Hot Chili Peppers would eventually close at the end of the night. But where the Chili Peppers’ sound was sketchy and inconsistent, Against Me! sounded bold and perfectly mixed, with heavy percussion, boisterous guitars and precisely mixed vocal levels.
I had expected something revolutionary from The 400 Blows: imaginative, exciting filmmaking from the film that began the New Wave movement. The cinematography itself didn’t wow me as I’d hoped, aside from a spectacular and extended series of tracking shots that conclude the film. But the story of young Antoine Doinel is certainly touching, particularly…
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