Come on Baby Driver, Don’t Fall Down on Me Now
Baby Driver has been widely compared to musicals; but this ain’t no musical. This is a mixtape movie.
Baby Driver has been widely compared to musicals; but this ain’t no musical. This is a mixtape movie.
The Shallows has a simple task: make sharks scary again. And it succeeds admirably, while offering (perhaps unintentionally) interesting commentary on sexualised heroines in horror movies.
Thanks to Icon Film Distribution, ccpopculture has 5 double passes to give away to Absolutely Anything, releasing in Australian cinemas Thursday November 19th. “It’s comedy magic when Simon Pegg teams up with the voices of the Monty Python team to remind us to be careful what you wish for in Absolutely Anything. Unbeknownst to school teacher Neil Clarke…
I’ve been considering introducing some kind of star ratings or rankings over here for quite a while now, but it seemed like my 300th post was a good time to roll out a ratings system for ccpopculture. Details: The ranks are, appropriately enough, on a scale from 0 to 200. At this stage it applies…
Hot Fuzz is a modern classic of the comedy genre. It’s the kind of film we’ll point to decades from now with a toothless grin and say, “See! They don’t make ‘em like they used to!” It’s widely loved and yet woefully underrated; this can be blamed on the marketing, which frames the film as…
The World’s End is a success on a whole bunch of metrics. As a conclusion to the loose “Cornetto trilogy” alongside Shaun of the Dead and Hot Fuzz, it’s as well-written, acted and directed as you’d expect; Edgar Wright’s kinetic, eclectic style ensures the film is a treat for the eyes. Each of the earlier…