How to Change the World (2015)

I’m eternally thankful that the title of Jerry Rothwell’s Greenpeace documentary, How to Change the World, is an ironic one. Structured around a series of Greenpeace founder Bob Hunter’s ‘rules’ (from “Plant a Mind Bomb” to “Let the Power Go”), Rothwell is more interested in deconstructing the failures of Greenpeace than lionising its successes (though…

A Bigger Splash (2015)

A Bigger Splash is a distinctly musical film. It’s a music film, too – with Tilda Swinton channelling her versatile Bowie charisma as a world-famous rockstar and Ralph Fiennes exhibiting some irrepressible dance moves as a record producer – but what makes the film sing is how director Luca Guadagnino effortlessly bridges its distinct tones.…

My Big Fat Greek Wedding 2 (2016)

In 2002, the world was introduced to a family that made us laugh, cry and above all, appreciate our own family. My Big Fat Greek Wedding became one of the biggest, most surprising cinematic successes ever – and one of the most profitable. The sequel is packed full of nostalgic references as it reacquaints audiences with the…

Sleeping with Other People (2015)

Sleeping with Other People is pretty much a hangout sitcom stretched out to 100 minutes. There’s nothing wrong with that! It’s populated with a winning cast of actors/comedians who’ve found success on the small screen – Alison Brie (Community) and Jason Sudeikis (Saturday Night Live) as the central sorta-not-really couple, surrounded by the likes of…

American Horror Project – Volume 1

One of the perks – or side effects, if you consider my bank account – of my foray into cinephilia has been my introduction to the UK Blu-Ray/DVD distributors, Arrow. While perhaps less prestigious than the widely-celebrated Criterion Collection, Arrow combine a fantastic, diverse library – cult and trashy horror under Arrow Video and arthouse…

SPL 2: A Time for Consequences (2015)

I’m not quite sure what to make of SPL 2: A Time for Consequences, a Chinese-Hong Kong martial arts (and guns) action film that’s a “sequel in name only” to Wilson Yip’s SPL. Partly that’s due to my lack of familiarity with the genre; outside of a couple Ong Bak and Raid films, my knowledge…

Ravenous (1999)

As an allegory for the United States of America, Ravenous is so fucking perfect that it needed to be a comedy. The idea of imagining early Americans as cannibals granted supernatural powers by feasting on human flesh – the extrapolation to the modern day left to one’s imagination – would’ve been hard to stomach played…

The Witch Reproduces a Bygone Era’s Fantastic Fear of Femininity

I’m somewhat uncomfortable with horror movies that take witches as their monster. The history of ‘witchcraft’ is inextricably tied up with horrific events like the Salem trials – events that repeat themselves today across developing countries, events driven primarily by a patriarchal fear of women as transgressors. Those accused of and punished for ‘witchcraft’ are…