Are you in the mood for cutting edge military surveillance, white-knuckle tension and political intrigue? Then welcome to the best war film since 2009’s Hurt Locker. The plot interconnects disparate players, including politicians, generals and drone pilots in a mission to eliminate a terrorist cell in Kenya. With an insightful look into modern military tactics,…
I’m a city boy at heart, but I’ve spent much of my formative years in country towns big and small. In Ararat – a Victorian town best known for being ‘the fattest town in Australia’ – I had friends and family on farms down the road. Toowoomba, where I spent my late school years, was…
You’d expect Marvel to be running out of steam by now, but this latest offering confounds expectations. Captain America: Civil War brandishes the series’ signature eye-popping visual spectacle in a package that skimps on neither heart nor wit. This is the best MCU film since the original Iron-Man. The screenwriters have managed to succeed in two key areas…
A boy’s best friend is his mother. Not exempt is 50-something real estate flunkey, Frank Mollard (Anthony LaPaglia), who struggles to come to terms with the death of his biological mum. But fate intervenes in the shape of ‘surrogate mother’, Sarah (Julia Blake) who offers him friendship and closure. Sundays proves a decent contemplation of…
Every now and again, I find myself drawn to films not for any particular artistic or narrative merit, but simply because I’m for an evocation of a mood and place. With an extended European holiday on the horizon, Isla Bonita certainly scratches the itch of idle European tranquillity, set pretty well entirely on the –…
Cartel Land was one of 2015’s most successful documentaries, earning a cavalcade of critical praise and even an Oscar nomination. It’s not hard to see why; Matthew Heineman’s film combines a contentious contemporary issue – Mexico’s fraught, cartel-dominated ‘drug war’ and tensions along the U.S.A./Mexico border – with kinetic, ‘can-you-fucking-believe-they-got-that-shot’ cinematography. It’s the kind of…
You’d be forgiven for thinking that The Duke of Burgundy – a film essentially about a lesbian couple’s experimentations with BDSM – would stray towards the exploitative. But despite the subject matter, writer/director Peter Strickland downplays the erotic aspects of the film to emphasis an abstract evocation of the anxieties inherent in a long-term relationship.…
The Huntsman: Winter’s War traffics pretty well exclusively in clichés. Oh, you can point to Frozen – Emily Blunt’s ice queen, the ‘power of love’ – or Lord of the Rings – there’s a golden circle emblazoned with Elvish runes that drives people to murder and dwarven comic relief (Nick Frost, Sheridan Smith, Rob Brydon)…
Australian documentary filmmaker Jennifer Peedom has spent much of the past decade telling stories about Mount Everest. After cutting her teeth as a high-altitude filmmaker on the TV series Everest: Beyond the Limit (2006), she began her directorial career with the documentary Miracle on Everest (2008), which chronicled Lincoln Hall’s astonishing brush with death on…
Rams’ Icelandic valley is populated by sheep and people, in roughly that order of importance. The separation between the two populaces isn’t particularly distinct, given the prevalence of shaggy white beards and thick wool-knit sweaters. Sheep are integral to the local economy and ecosystem, and especially to ageing farmer Gummi (Sigurður Sigurjónsson), who treats his…
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