We Summon the Darkness (2019)
We Summon the Darkness is a perfectly competent horror film.
Bloodshot (2020)
Bloodshot is a Bon Jovi movie. I call it that because – in every respect – it’s only halfway there.
Todd Haynes’ Latest Masterpiece, Dark Waters, Contrasts American Corporate Culture with its Espoused Christian Ideology
Dark Waters interrogates the clash between corporate values and America’s espoused Christian ideology with astonishing sophistication.
Guns Akimbo (2020)
Guns Akimbo is blessed with a few encouraging attributes, but undermined by its messy, misguided politics.
Genre Mastery and True Terror: Leigh Whannell’s The Invisible Man
The Invisible Man is a showcase for its writer-director’s obvious love and talent for genre cinema.
Giveaway: Win Double Passes to Queen and Slim [COMPLETED]
Thanks to Universal Pictures Australia, ccpopculture has 5 double passes to give away to Queen & Slim, releasing in Australian cinemas Thursday March 12th.
Colour Out of Space (2019)
Stanley’s film eschews familiar threats for something indefinable.
Richard Jewell (2019)
Eastwood’s gentle touch steers Richard Jewell towards sympathy at every turn.
Giveaway: Win Double Passes to The Invisible Man [COMPLETED]
Thanks to Universal Pictures Australia, ccpopculture has 5 double passes to give away to The Invisible Man, releasing in Australian cinemas Thursday February 27th.
Birds of Prey and the Fantabulous Emancipation of One Harley Quinn (2020)
Birds of Prey is a restlessly fun, unapologetically female action-comedy breathing new life into the DCEU.
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