The story told by Kitty Green’s documentary Ukraine is Not a Brothel is a fascinating one. But the appeal of this film is not the mystery it unravels as it examines the inner workings of Ukrainian feminist movement FEMEN, but the thoughtful and thought-provoking perspective provided by its Australian director. This is a sterling example…
Is it an inevitability that horror franchises trend towards soft-core porn the longer they run? Probably not – Nightmare on Elm Street found its way to bad puns while Friday the 13th travelled to New York, Hell and, eventually, outer space. It’s certainly the case with the Wrong Turn series, which began as gory-hillbilly-survival-horror, took…
Puzzle pieces lie strewn across a dusty table in the suburbs of Perth. They form an incomplete geography: crude continents assembled from matching pieces surrounded by isolate islands, shards without a partner. The camera lingers on this puzzle; we know it will never be completed. There are mere hours til the immolating shockwave of an…
Daenerys of House Targaryen, Stormborn, the Unburnt, Mother of Dragons, Khaleesi of the Dothraki, First of Her Name arises from her bath. She affixes the brazen mercenary Daario Naharis with an unblinking stare. He has brought her the heads of his former allies and an offer of his loyalty. Daenerys is naked but unashamed; she…
“The Mountain and the Viper” is a reminder that in George R.R. Martin’s unforgiving Game of Thrones universe, some things are inevitable… …bloodshed, for example. Or that whenever there’s a cursory shot of buff, shirtless men… …there’ll be a series of leering close-ups on naked women shortly afterwards. (Not that I’m especially complaining about getting…
You know what you’re getting into when you watch a film with a title like Cheerleader Massacre. Bad acting is par for the course: the actors might look like the Days of Our Lives type, but their thespian ability falls short of even that mark. There’s no reason to be surprised by home-video quality cinematography…
X-Men: First Class is a breezy slice of blockbuster. It’s fun while dabbling in the conventional superhero stuff – origin stories and brief banter, all interspersed with the mandatory action – but stumbles when it tries to be something more than disposable entertainment. There’s a lot to like here. Matthew Vaughan frolics through the sixties…
Late in After May (Après Mai or Something in the Air elsewhere) one of its teenage protagonists is informed that the assault charges that had loomed over these young wannabe-revolutionaries have been dropped. You see, in an ill-advised protest, these leftist French students (in tumultuous 1971) seriously injured a security guard, causing them to spend…
The term “guilty pleasure” is overused. I’m not of the belief that the concept doesn’t exist; of course it does! Guilt and pleasure are so closely related it’s absurd to dismiss the validity of experiencing shame and enjoyment simultaneously. But a trashy horror film with subpar special effects, a cheesy eighties pop song, a lurid…
For a supposed “chick flick,” The Other Woman doesn’t demonstrate an especially high opinion of women. The hook – a wronged wife (Leslie Mann) and a pair of mistresses (Cameron Diaz and Kate Upton) team up to get revenge on their smarmy lover (Nikolaj Coster-Waldau) – seems to be an empowerment-of-women-type-deal on the surface. And…
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