Upgrade Deconstructs the Revenge Film
Upgrade is a clever genre mash-up. The film merges the tropes of the traditional revenge flick with speculative sci-fi,
at once indulging in genre thrills and commenting upon them.
Upgrade is a clever genre mash-up. The film merges the tropes of the traditional revenge flick with speculative sci-fi,
at once indulging in genre thrills and commenting upon them.
We’ve all been to a concert that just felt … sad.
Meal Tickets distils that feeling into an uncomfortable 93-minute documentary.
Ali’s Wedding is a delight.
Don’t Tell is an excellent film with major flaws, undone by its own lack of focus.
On the 20th anniversary of The Castle, I dismantled the beloved Australian film for SBS Movies.
An underwhelming Aussie thriller that collapses under the weight of its own twists. At least it looks nice.
A boy’s best friend is his mother. Not exempt is 50-something real estate flunkey, Frank Mollard (Anthony LaPaglia), who struggles to come to terms with the death of his biological mum. But fate intervenes in the shape of ‘surrogate mother’, Sarah (Julia Blake) who offers him friendship and closure. Sundays proves a decent contemplation of…
“Where are you going!?” “Nowhere.” Australian director Sue Brooks takes a prismatic approach to Looking for Grace, a tale of family, infidelity and theft told from a variety of perspectives. It’s not quite Rashomon, though. Fractured, non-linear narratives rely on the strength of their individual storylines as well as the whole, whether aiming for ‘everything’s…
The Dressmaker follows Myrtle Dunnage (Kate Winslet), returning from Paris to the town she grew up in, where her mother “Mad Molly” (Judy Davis) has all but lost her memory. She has to face the realisation that she may have murdered a young boy as a child, and even though she does not recall the…
Opening your tragic love story with a re-enactment of Romeo and Juliet is a bold move, but it’s the kind of decision that neatly encapsulates the strengths – and weaknesses – of Holding the Man, Neil Armfield and Tommy Murphy’s film adaptation of Timothy Conigrave’s memoir. This is a film that unashamedly tilts for the…