David Oelhoffen’s adaptation of The Guest, a short story by Albert Camus, expands the story’s scope beyond Camus’ single schoolroom setting to the desolate wilderness of the Algerian steppes. French film Far From Men fleshes out its source’s narrative by adopting Western tropes like tense standoffs erupting into gunfire while retaining its stark moral conflict.…
The framing of Bill Condon’s Mr Holmes is, on the face of it, rather peculiar. Adapted from Mitch Cullin’s “A Slight Trick of the Mind”, it tells a fictional tale about a fictional character – Sherlock Holmes (Ian McKellen) – yet it’s presented as though it were a biopic about the final years of a…
Talking heads seem to be the most maligned convention in documentaries. Just look at Asif Kapadia’s Amy, which has earnt widespread praise for its omission of such interviews despite not being an especially good film. Certainly, talking heads can be a crutch for uncreative documentary directors, who use them solely as an opportunity to flesh…
That Sugar Film manages to be both entertaining and educational; no easy task when you’re spending your runtime lecturing your audience on what they’re putting into their body. Director – and ‘subject’ – Damon Gameau (who I interviewed earlier this year) shifts from a wholesome no-sugar diet to forty teaspoons of the stuff a day,…
Cormac McCarthy had no hand in the production of The Homesman, but his shadow stretches long over Tommy Lee Jones’ neo-Western. The spare landscape, lensed with wintery clarity by Rodrigo Pietro, embodies the harsh tone of the author’s prose while also allowing for the glimpses of poetry that pervade his writing. The setting is, of…
Bathsheba Everdene (Carey Mulligan) finds herself torn between three suitors in Thomas Vinterberg’s Far From the Madding Crowd. There’s the honest, earthy masculinity of Gabriel Oak (Matthias Schoenaerts), the restrained respectability of wealthy William Boldwood (Michael Sheen) and the hot-blooded lustfulness of Sergeant Francis Troy (Tom Sturridge). Vinterberg establishes Miss Everdene’s independence amidst gorgeous, pastoral…
Marriage equality in Australia is, at this stage, inevitable – and long overdue. Opponents of same-sex marriage have increasingly found their go-to arguments rendered obsolete or not fit for polite company. Even regressive politicians like Cory Bernardi try to avoid blatant homophobia (not always successfully), while religious dogma’s relevance continues to erode. The one argument…
Dear diary, This afternoon was my first full day at Sydney Film Festival this year. After an early-morning interview and a screening of Kris Swanberg’s Unexpected, I saw The Diary of a Teenage Girl. It was a last minute decision – I was originally going to see Villa Touma, but managed to hunt down a…
It’s odd that one of the most dramatic, life-changing events of middle-class life – having a baby – tends to be an afterthought at the movies. Babies, more often than not, are presented as incarnations of a successful relationship. Look, they have a child now! Curtain goes down, happily ever after, etcetera. The impact of…
The Invitation sets a dinner party within a familiar horror movie setting: an expensive, (relatively) isolated mansion. Conspicuously comprehensive security, no mobile phone coverage, a creeping atmosphere of dread. Said mansion belongs to Eden (Tammy Blanchard) and David (Michiel Huisman), who are hosting a reunion of sorts after a sojourn to a ‘grief group’ in…
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