This is the End isn’t the greatest comedy I’ve ever seen. There are funnier comedies, smarter comedies, comedies that will reward rewatching – something this comedic take on the apocalypse is less likely to do, reliant as it is on surprises. But, dammit, it’s been a long, long time since I’ve walked out of a…
It’s perhaps too easy to compare Magna Carta… Holy Grail to Yeezus. Beyond the two men being the pillars of modern hip-hop (and these records being their first solo work since Watch the Throne), Jay Z practically demands comparison when he describes himself as a god or mentions listening to “Strange Fruit” (prominently sampled on…
The Conjuring feels very old-fashioned. That’s not surprising, given the 1971 setting and accompanying huge sideburns, but (aside from some obvious J-horror influences) this is a film that could have been produced decades ago, with the personality and pacing of classic horror. Director James Wan has commendable patience, slowly developing an ominous atmosphere before breaking…
The Place Beyond the Pines is a difficult film to rate; it’s undeniably exciting and innovative, but its reach often exceeds its grasp. The film is a significant departure from Derek Cianfrance’s last film, Blue Valentine, which was an intensely intimate experience filmed in a grubby, shaky vérité style. His new film is more expansive,…
“Outbreak” has many of the same problems of earlier, middling episodes of Under the Dome. The large cast limits character development, relying on actors to flesh out characters we spend little time with. Sometimes it works (Dean Norris as Big Jim), but mostly we end up with teenagers who don’t act like teenagers or characters…
Watch the first half hour of Orphan, and you could be forgiven for thinking you’re watching a family film about a mother overcoming a miscarriage through the adoption of a nine year-old orphan girl. Early scenes are brightly light, full of primary colours. The titular orphan, Esther, seems perfect – bright, talented, friendly – if…
(Note: this post does not follow the normal 200-word word limit of this blog) First up – I’ve been pretty slack when it comes to posting these awards. This is mostly because I’m still venturing my way into the blogosphere (if that’s even a word), and partly because it was basically impossible to do an…
A body is found on the bridge between Mexico and the United States; an investigation begins, but the coroner finds that the body is in fact two bodies –an American and a Mexican citizen. The Bridge follows the detectives charged to investigate the crime: Sonya (Diane Kruger), an American detective with Aspergers, and Marco (Demian…
Guillermo del Toro usually brings his own unique designs to blockbuster filmmaking; Pacific Rim, surprisingly, feels more like a pastiche. It’s visually a hodge-podge of Godzilla, Neon Genesis Evangelion and the Matrix sequels, and is filled with overt references – there’s a Star Wars quote, and GLaDOS from Portal voices the film’s computers. The lack…
250+ posts into ccpopculture, I’m beginning to reconsider my initial decision to avoid star ratings entirely. 200 words isn’t a lot, and finding space to talk about what’s interesting about an artwork while also assessing its quality is difficult – my reviews regularly include an awkwardly shoehorned “Recommended” or similar. But star ratings are problematic.…
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