Suburbicon (2017)
George Clooney, a regular Coens collaborator, knows the notes but he can’t master the music with his latest film, Suburbicon.
Is 2017 The Year Australia Finally Gets On Board With Horror?
Over at Junkee, I dig deep into the health of the Australian horror industry and Australian opinions on the horror industry.
Production Woes Plague The Snowman’s Serial Killer Schlock
The Snowman is an unmitigated disaster.
The Pink House (2017)
The Pink House is a documentary about Questa Casta, Australia’s longest-running brothel located in Kalgoorlie, Western Australia. Of course, it’s more than that.
Mike Flanagan’s Game: How the Gerald’s Game Director Exploits Human Perception
Across his filmography, Flanagan’ strives for something more insidious than the reptilian-brain jolts favoured by mainstream horror – something truly horrific; something that has you questioning your very own eyes.
Happy Death Day (2017)
Happy Death Day is a welcome example of refreshingly unpretentious B-movie filmmaking from Blumhouse.
Giveaway: Win Double Passes to The Snowman [COMPLETED]
Thanks to Universal Pictures Australia, ccpopculture has 5 double passes to give away to The Snowman, releasing in Australian cinemas Thursday October 19th.
Images on a Wall: Blade Runner 2049
At its best, Blade Runner 2049 is a film about negotiating the notion of identity in the dense lattice of a technological society. Villeneuve amplifies the first film’s themes of complicity in an oppressive society.
Halloween (2007)
By any kind of objective measure, Rob Zombie’s Halloween remake falls far short of John Carpenter’s iconic film. I still … kinda … like it?
Giveaway: Win Double Passes to Happy Death Day [COMPLETED]
Thanks to Universal Pictures Australia, ccpopculture has 5 double passes to give away to Happy Death Day, releasing in Australian cinemas Thursday October 12th.
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