Happy End (2017)
Happy End is another distancing dose of misanthropy from the misanthropic master, Michael Haneke.
I Am Not a Witch (2017)
Rungano Nyoni’s first feature, I Am Not a Witch, is one hell of a début.
Faces Places (2017)
Faces Places bubbles with irrepressible charm.
Sicario: Day of the Soldado (2018)
When I first heard about a sequel to Sicario – one of my favourite films of 2015 – my first thought was ‘why does this need to exist?’ Having seen the film, I don’t have a satisfactory answer to that question.
Tag (2018)
I wish there were more studio comedies like Tag.
The Incredibles 2 (2018)
Pixar have got their mojo back.
Ocean’s Eight (2018)
Ocean’s Eight might be a heist film, but the real scam here is the film itself.
Chappaquiddick (2017)
Chappaquiddick is a contemporary example of how superb filmmaking can elevate middling screenplays.
Mom and Dad (2017)
Half the time you feel like you’re watching a masterfully crafted bit of art-action; the other half it’s a shambolic mess barely held together by spit, sticky tape … and the sheer force of will of Nicolas Cage at his most unhinged.
Loving Vincent (2017)
I’m a sucker for a good gimmick. And what better gimmick for a film about Vincent van Gogh than to hand paint every damn frame?
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