Snowden (2016)
“Traitor, or hero?” is the question posed by Snowden’s poster, though Oliver Stone’s retelling of its titular character’s story is so firmly in the Hero camp that you wonder why they bothered asking at all.
“Traitor, or hero?” is the question posed by Snowden’s poster, though Oliver Stone’s retelling of its titular character’s story is so firmly in the Hero camp that you wonder why they bothered asking at all.
A documentary centring on Anthony Weiner’s failed mayoral campaign cuts to the narcissistic root of its subject – and politicians in general.
Your dad’s favourite movie of 2016.
Roy Andersson’s absurdist, absurdly-named opus A Pigeon Sat On a Branch Reflecting on Existence (the third film in a loose trilogy) is the polar opposite of the Paul-Feig-inspired mode of filmmaking dominating Hollywood comedies.
In a belated effort to tap into the success of his hit TV show The Office, Ricky Gervais risks unflattering comparisons with his washed up titular character.
During my childhood, I well and truly slept on Samurai Pizza Cats. I imagined to be just another half-assed Teenage Mutant Ninja Turtles clone and paid it no mind. Bad luck, teen me; that’s hours of weekday afternoons I was missing out.
Pablo Larrain’s unconventional, dizzying portrait of Pablo Neruda is reminiscent of Luis Buñuel; that’s gotta be a good thing.
Louder than Bombs is an unconventional, masculine melodrama. It’s a melodrama in the sense that it revolves around familial conflict, domestic secrets and intense emotions; masculine in the sense that it’s reserved, quiet and inarticulate.
An underwhelming Aussie thriller that collapses under the weight of its own twists. At least it looks nice.
Absolutely Fabulous: The Movie offers fans another crazy, glamorous adventure with characters that are as colourful as the film itself. Laughs, cameos and questionable life choices galore – welcome back Sweetie Darlings!