Me, Myself and Mum is a remarkable, touching, one-of-a-kind picture. Based on director/writer/star Guillaume Gallienne’s stage show, it’s like a long-winded yet enthralling party anecdote, where the storyteller’s first priority is entertaining his audience with ribald jokes and quirky asides. This is a riotously funny film, and therein lies much of its appeal. Gallienne plays…
With the Captain America sequel not far away, I decide to catch up on the only Marvel release I’ve yet to see, Joe Johnston’s Captain America: The First Avenger. Announcing this on Twitter, a friend commented that “the first half is great and then it sucks have fun” A succinct summary, but – sadly –…
They Live is a hodge-podge of sci-fi satire, B-movie maximalism and cheesy humour that spends half its time succeeding on its own merits, and the other half venturing into so-bad-it’s-good territory. The film’s highlights are of a piece with director John Carpenter’s great horror films (Halloween, The Thing), as Nada (Roddy Piper) stumbles onto the…
Yet again, here’s some write-ups to spruik! Rise of the Eco-Warriors is an Australian documentary about deforestation. I had the chance to interview its director Cathy Henkel for the 500 Club, and also wrote a review of the film. Another film being released today is Need for Speed, which is about as disappointing as you…
“Why do people watch films about Nazis? To see power and sadism! We can do that! We can make something even more sadistic.” – Anwar Congo The Act of Killing, one of the best films of 2013 – and certainly its most confronting – has been the target of significant criticism recently (A.J. Schnack’s article…
A Girl Cut in Two is my first film from French New Wave director Claude Chabrol, and I certainly hope it’s not a representative first impression as it puts me in no hurry to investigate his other films. This romance-drama-thriller ambles through its pedestrian plotline without any sense of purpose; we cross-fade from scene to…
Non-Stop brackets a thrilling middle sequence between two disappointing – but thankfully brief – acts. Your enjoyment of the film will depend pretty much entirely if you can forgive the silliness of the final act. But make no mistake, this whole film is remarkably silly – that’s the point! It’s simply that the second act’s…
Michel Gondry’s The We and the I is a high-concept, low-budget portrait of the selfishness of teenagers. Aside from its introduction and a few anecdotal excursions, the entirety of the film takes place on a school bus. The setting ensures the film maintains a singular focus on teenage social dynamics; it’s an appropriate metaphor for…
Robert Redford gets lost in a dense sea of symbolism in All is Lost. My review of this impressive, if monotonous, film can be found at Cheated Hearts. 300: Rise of an Empire is more interested in 3D sprays of blood and conflicts – between fleets of ships and Eva Green/Sullivan Stapleton alike. My review…
In my interview with Tracks director John Curran, he emphasised the importance of the interior journey of Robyn Davidson (Mia Wasikowska), the young Australian girl who completed a solo trek across thousands of miles of Australian desert. That interior journey is a large part of what makes Tracks such an excellent film; the way Robyn…
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