‘You’re Tearing Me Apart’s of Darkness: James Franco’s The Disaster Artist
James Franco’s The Disaster Artist clearly intends us to laugh at The Room’s Tommy Wiseau, but it also wants us to recognise his twisted genius.
James Franco’s The Disaster Artist clearly intends us to laugh at The Room’s Tommy Wiseau, but it also wants us to recognise his twisted genius.
Either Baywatch or Dead Men Tell No Tales could have been good – well, passable – with screenplays content to be plain ol’ mediocre.
Roy Andersson’s absurdist, absurdly-named opus A Pigeon Sat On a Branch Reflecting on Existence (the third film in a loose trilogy) is the polar opposite of the Paul-Feig-inspired mode of filmmaking dominating Hollywood comedies.
Another Apatow-esque comedy where attractive people goof around, do drugs and learn lessons. Also, spoilers: Zac Efron takes his shirt off.
It’s been a while since I’ve gone to a cinema and done nothing but laugh for 90 minutes. Was this because laughter surround me from beginning to end? Or was it that Bad Neighbours 2 was simply a well-written comedy? You can judge for yourself but in my opinion the sequel surpassed the original in many…
There’s a world in which Dirty Grandpa is a great, if lowbrow, comedy. Robert De Niro is perfectly suited to the eponymous role of smutty senior; he’s always been convincing at improvisational comedy (look at Mean Streets, or even Goodfellas) plus you buy him as someone who can still pull off one-armed push ups. Oh,…
I’ve done a lot of travelling in my time. There was a lot of dancing, more music than I could shake a glowstick at, and enough glorious (at the time) experiences that there’s definite “nostalgia” (cringeworthy recollections) to be “remembered fondly” (blatantly denied). We Are Your Friends captures all of that and then some. At its heart,…
Bad Neighbours (titled just Neighbors in the States) is a mash-up of two “classic” – or, if you’re feeling less generous, clichéd – comedy conceits. The film modifies the ‘slobs vs snobs’ frathouse formula by repurposing the ‘snobs’ as 30-something stoners struggling with the demands of adulthood. There’s little originality in the Bad Neighbours screenplay, but thankfully…