New Zealand writer-director-actor Taika Waititi has always had a quirky comedic streak. With his latest, Hunt for the Wilderpeople, he’s closest to a defining style that can easily translate across a variety of audiences. That might be why he’s been selected to helm the next instalment of Marvel’s Thor franchise. His first feature film Eagle…
If there’s one constant across the Coens’ intimidating filmography, it’s the brothers’ affection for cinema in all its forms. Right from their debut, Blood Simple – an intricately-plotted neo-noir – they’ve paid homage to Hollywood history, whether aping noir aesthetics (in both Blood Simple and The Man Who Wasn’t There) or gently parodying noir conventions…
It’s fair to say that I walked into Mommy with high expectations. Xavier Dolan is an incredibly talented young director, and his third film, Laurence Anyways, is an all-time classic in my personal pantheon. Pretty much every Australian critic I know caught his latest at the Melbourne International Film Festival last year, and the responses…
“Times have changed.” So says Zero Moustafa (F. Murray Abraham) to Young Writer (Jude Law) as he luxuriates in the baths of the Grand Budapest Hotel. Except luxury is now in short supply; once a thriving symbol of opulence, the Grand Budapest Hotel is no longer so grand (and it’s not even in Budapest; the…
I liked Tim Winton’s The Turning more than most critics. Looking back at my review now, I don’t think I succeeded in explaining why it appealed to me; it’s an assumption underlying my write-up, but I don’t think I made it clear. In part, it’s based in my fondness for Winton’s original anthology, which I’d…
Walter Mitty (Ben Stiller) sees himself as a failure. As he flips through his personal budget, rifles through negatives in his job at LIFE magazine or stares at the eHarmony profile page of co-worker Cheryl (Kristen Wiig), he emits an aura of vacancy. It’s like he’s barely there and, sometimes, he isn’t, lost in flights…
The Graduate and Harold and Maude have a lot in common. Each tell stories about a May-December romance, with the male the younger partner (still a rarity in mainstream films), but are more interested in interrogating bourgeois malaise. They’re both satires laced with black comedy, but each has a real sadness at the core. Folk…
Last night I went to a preview screening of Tim Winton’s The Turning, presented by director and producer Robert Connolly. The book it’s based on is a collection of seventeen short stories from one of the Australia’s greatest authors, stories set on or around the Western coast of Australia; stories about childhood and parents and…
It’s surprising that it took five live action films before Wes Anderson tried his hand at animation; the hand-made, stop motion animation that enables this Roald Dahl adaptation is a perfect match for the gentle, whimsical nature of the director’s films. Fantastic Mr. Fox is a Wes Anderson film through-and-through, whether it’s the wistful, pastoral…
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