Double Feature: The Housemaid (1960) and The Housemaid (2010)

I was introduced to Kim Ki-young’s The Housemaid late last year at the Brisbane Asia Pacific Film Festival with a screening of the World Cinema Foundation’s restored print. I’m not sure exactly what I expected from the film’s reputation – apparently a “consensus pick as one of the top three Korean films of all time.”…

Forbidden Hollywood: The Wild Days of Pre-Code Cinema

While I may have just written an article criticising a certain Australian actor/director for his advocacy of cultural cringe, I must admit I’m susceptible to the same kind of cringe when talking about my city of residence: Brisbane. I’m pretty vocal about the perceived cultural black hole that is Queensland’s capital, a city that’s seemingly…