In 2018, action is as strong as ever. But the boundaries of the genre have been redefined in the wake of the superhero genre’s dominance over the box office.
The Mummy isn’t a travesty. It’s just Red Rooster, and everyone’s already at KFC or McDonalds.
Catching The Man from U.N.C.L.E. on the tail-end of a Mission: Impossible marathon brings into focus how different Guy Ritchie’s latest feels from both the average spy thriller and today’s typical blockbuster. This isn’t to say there’s anything especially innovative going on here – outside of the ‘60s setting, it’s a pretty standard spy story…
Tom Cruise is one of this generation’s most enduring movie stars. In 1986, he piloted Top Gun to the top of the box office; three decades later, well into his fifties, he launches the fifth instalment of the Mission: Impossible franchise while his Top Gun contemporaries have faded into irrelevance (or television). So what is…
For whatever reason, I seem to have been watching a lot of documentaries lately, and I’m becoming increasingly aware that, by and large, my reaction to the genre is a shrug and an “It was okay, I guess.” I’ve seen so many good documentaries, portraits of fascinating people telling fascinating stories … and, yet, I’ve…
The notion of films adopting a “videogame aesthetic” is – or was – a common critical observation, wielded as pejorative or praise depending, seemingly, on the critic’s personal opinion of videogames. Since at least The Matrix – a film visually and conceptually indebted to contemporary videogames while inspiring the design of games to come – and even Tron before…
As a modern example of the post-Bourne action blockbuster, Tom Cruise vehicle Jack Reacher is more than adequate. It’s a sleek, streamlined piece of Hollywood filmmaking, managing to maintain interest throughout its 130 minute runtime thanks to carefully-judged pacing, clean cinematography. The narrative – a machismo-laden mystery mostly faithful to Lee Child’s novel One Shot…
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