The Hyper-Masculine Incoherency of Batman V Superman: Dawn of Justice

Batman v Superman: Dawn of Justice is neither the hero the superhero genre deserves nor the villain it dreads. This is a film about two superheroes waging war with one another that’s similarly at war with itself, riven between competing narratives, commercial concerns and an overarching ambition that sees it striving for meaning before collapsing…

Night Moves (2013)

Night Moves mostly slipped under the radar in 2014. Despite the presence of Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard and a marketable premise – an ecoterrorism procedural – it attracted little buzz and didn’t even receive a proper release in Brisbane (though I should acknowledge that the always-excellent Schonell Theatre screened it sometime after…

Gone Girl (2014)

Gone Girl (2014)

As a long-time David Fincher devotee, the first half hour of Gone Girl represents the first time I’ve doubted the director (full disclosure: I’ve never seen Benjamin Button). The film intercuts between Nick Dunne – writer, bar-owner, Ben Affleck – and his wife Amy – writer, actual-owner-of-the-bar, Rosamund Pike – through the past and present.…