Ex Machina (2015)

Alex Garland’s work as a novelist (The Beach, Coma) and screenwriter (28 Days Later, Sunshine) is, at its best, defined by a careful command of tone balanced with obvious intelligence. It should not come as a surprise that Ex Machina, Garland’s first time behind the director’s chair, demonstrates these qualities in abundance. This sparse sci-fi…

Selma (2014)

The Martin Luther King Jr biopic Selma is primarily composed of individuals undergoing impassioned debates. We watch King (David Oyelowo) and Lyndon B Johnson (Tom Wilkinson) verbally spar over voting rights; with segregation outlawed in 1960s America, African-Americans find their legal right to vote denied, and divided camps of activists argue about the best way…

Miranda Otto in Reaching for the Moon (2013)

Reaching for the Moon (2013)

A couple weeks ago, The Daily Beast asked the question Why Can’t Movies Capture Genius?, looking at the recent cluster of British biopics Mr Turner, The Imitation Game and The Theory of Everything and considering how difficult it is to convey genius without being burdened by overblown exposition. The chief success of Reaching for the…

Benedict Cumberbatch and Keira Knightley in The Imitation Game (2014)

The Imitation Game (2014)

The title of The Imitation Game refers to Alan Turing’s method of determining whether a machine is capable of demonstrating human intelligence – more commonly referred to as “the Turing test.” Turing’s achievements go far beyond a simple artificial intelligence experiment, and those achievements are chronicled in this biopic from Norwegian director Mortem Tyldum. The…

Timothy Spall in Mr Turner (2014)

British Film Festival 2014

November last year introduced the inaugural British Film Festival, a breath of fresh air in an increasingly stale slate of nation-centric film festivals. It’s not that I don’t have a lot of respect for local festivals like the Italian, Israeli, French etc festivals – I only saw one of my favourite films of the year…

A Long Way Down (2014)

A Long Way Down begins with a potentially promising premise before it falls, well, you know, <gestures vaguely towards title>. For a film that opens with a suicidal quartet meeting atop a London skyscraper on New Year’s Eve, it demonstrates little actual interest in examining suicide, despites its half-hearted feints at undergraduate psychology. Instead A…