Annabelle Comes Home (2019)
Haunted doll Annabelle is a beacon for spirits, so strap in for a whole bunch of ghouls and ghosts once she’s unleashed.
Haunted doll Annabelle is a beacon for spirits, so strap in for a whole bunch of ghouls and ghosts once she’s unleashed.
By itself, this is a fairly generic horror film, pairing supernatural parental anxiety with Hispanic myth.
Escape Room is like Cube meets Saw meets Hostel …minus the gratuitous gore.
While I’m not going to argue that The Nun is a good film, I do think that’s its more interesting than its detractors give it credit for.
Annabelle Creation is nothing particularly original, sure, but neither was The Conjuring. What it does deliver is judiciously-executed scares and a pervasive atmosphere of dread.
Trust Mike Flanagan (Oculus, Hush) to turn a flippin’ board game into a good horror film.
James Wan’s haunted house oeuvre is a well-oiled machine. Creaky floorboards and fearsome presences roll off the production line like clockwork; creepy, broken, grandfather clockwork. And, although The Conjuring 2 is bound by formula, when the scares are this good, I’m happy to buckle my seatbelt and enjoy the ride. Wan’s recent good form (Insidious et al) is…