Thor Ragnarok is half Taika Waititi film – funny, digressive, unpredictable – and half Thor film – mired in tiresome Norse mythology and following the MCU formula note-for-note.
It’s technically impressive but utterly soulless; there’s no ghost in this shell.
At this point, a superheo film eschewing setting up spinoffs and post-credit scenes in favour of robust character development feels almost revolutionary.
Guardians of the Galaxy promises the kind of irreverent disdain for blockbuster norms that founded the Marvel Studios juggernaut, way back when they handed the reins to Mr. Favreau and Mr. Downey Jr. It features an unapologetically weird crew of intergalactic outlaws – green-skinned princesses and rocket-wielding raccoons – in an unapologetically weird universe mined…
Godzilla is an anti-blockbuster, repurposing and reinventing the grammar of big budget disaster films to produce a film that is aesthetically and ideologically compelling, if inconsistently entertaining. A dense evocation of the tragic scale of environmental and nuclear cataclysms, the film’s steadfast refusal to focus on its human characters, instead contemplating global devastation, is hardly…
As a disaster movie, Black Sunday feels almost quaint compared to the destruction reaped in modern superhero films; the film sees the Goodyear blimp descend upon the Superbowl, laden with plastic explosives, a threat level a few notches below Superman tossing Zod through Metropolis’s skyscrapers or the Chitauri laying waste to Manhattan. The difference between…
Anyone expecting an action extravaganza on par with The Avengers from Agents of S.H.I.E.L.D. will be quickly re-educated mere minutes into the show’s pilot. The opening scene is a traditional “superhero saves damsel from burning building” bit with special effects that, on the continuum from ‘60s Doctor Who to Iron Man 3 fall, appropriately enough,…
Robert Downey Jr’s Tony Stark is a tricky character to write for. He’s entertaining, charming and quick-witted but he’s also – it must be said – a total jerk. To stay on his side for the length of a feature film, he needs to have real challenges to face – with the proviso that, ultimately,…
Given the Academy Award nominations were just announced today, it seemed a good a time as any to finally publish my top 10 films of 2012 list. My criteria for inclusion is a little shaky, but critically acclaimed films like Django Unchained, Zero Dark Thirty and Flight are all yet to be released in Australia…
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