The Farewell (2019)
The Farewell is well-crafted, undeniably, but it’s not for me.
The Farewell is well-crafted, undeniably, but it’s not for me.
Girl Asleep, screening in this year’s Sydney Film Festival, has a lot in common with a pair of teen-oriented films that screened in the festival last year. Like the impressive Diary of a Teenage Girl and the not-so-impressive Me and Earl and the Dying Girl, Rosemary Dyer’s directorial debut uses the “Sundance aesthetic” – twee…
About a week ago I had the pleasure of interviewing Sophie Hyde, the award-winning director of 52 Tuesdays. The film and the director are both remarkable – having had only a very busy work day to prepare for the interview, I went in with a list of half-written, largely-incoherent questions that she answered with aplomb,…