One of the best things about attending film festivals – such as this year’s Sydney Film Festival – is the opportunity to explore the breadth of documentaries on display. It’s a stark contrast to the genre’s sparse representation in mainstream cinemas. The conventional critical wisdom would be to suggest that multiplex audiences tend to avoid…
For whatever reason, I seem to have been watching a lot of documentaries lately, and I’m becoming increasingly aware that, by and large, my reaction to the genre is a shrug and an “It was okay, I guess.” I’ve seen so many good documentaries, portraits of fascinating people telling fascinating stories … and, yet, I’ve…
In order for a documentary to be great, is it obliged to be innovative? Some of the best documentaries I’ve seen over the past year – Stories We Tell, My Winnipeg, The Act of Killing – are innovative in one way or another, whether it’s through a self-reflexive examination of the process of documentary-making or…
“Even people who have never encountered snow can imagine what it’s like to walk through it. You leave footprints – declivities. When you step on fresh snow, you pack it down. You pack it down onto the sidewalk and when all the loose snow later blows away, it actually leaves a positive record of that…
A few minutes into Stories We Tell, Sarah Polley’s documentary about her family history, I decided I wasn’t going to like the movie. I have a natural disinclination towards documentaries built on recollections. Stylistically they’re built on talking heads, recreations and snippets of stock footage – a far cry from the cinematic creativity behind most…
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