It’s easy, and not entirely inaccurate, to regard Knight of Cups as the apotheosis of “Malickian.” Terrence Malick’s latest film, centring on the idle thoughts and innumerable conquests of Christian Bale’s Hollywood A-lister (think Coppola’s Somewhere – Los Angeles as purgatory), has all the easily-parodied tropes that have come to define the director’s work. The…