Spider-Man: Far From Home (2019)
Far From Home returns to the easy comedic tone that buoyed the last Spider-Man outing.
Why Avengers: Infinity War is a Different Kind of Marvel Movie
The divisive reaction to Avengers: Infinity War is explained by how it differs from its MCU forebears. Beware: spoilers!
Eight Reasons to Love Spider-Man: Homecoming
It feels like a surprise that Spider-Man: Homecoming is as good as it is.
The Mummy: Tom Cruise vs The Franchise Film Bubble
The Mummy isn’t a travesty. It’s just Red Rooster, and everyone’s already at KFC or McDonalds.
A Goddess Among Us: Wonder Woman Entertains Despite Inability to Innovate
Is Wonder Woman the saviour of DC? Let’s not get too far ahead of ourselves.
Captain America: Civil War (2016)
You’d expect Marvel to be running out of steam by now, but this latest offering confounds expectations. Captain America: Civil War brandishes the series’ signature eye-popping visual spectacle in a package that skimps on neither heart nor wit. This is the best MCU film since the original Iron-Man. The screenwriters have managed to succeed in two key areas…
Deadpool and the Search for a Truly Subversive Superhero Movie
If Deadpool had come out in 2006 – before Iron Man kicked the superhero boom into top gear – it might’ve been a genuinely subversive superhero film. The film – which sees Ryan Reynolds make his fourth attempt at pulling off the superhero shtick (if you count Blade III) – is definitely trying to subvert…
Avengers: Age of Ultron (2015)
Avengers: Age of Ultron is, for better or worse, the culmination of Marvel Studios’ approach to commercial cinema. By this stage, their much-discussed directorial departures – Patty Jenkins from Thor: The Dark World, Edgar Wright from Ant-Man – and the homogeneity of their output make it clear that this is about as far from auteurist…
Double Feature: The Congress (2013) and Maps to the Stars (2014)
Comparing David Cronenberg’s Hollywood satire Maps to the Stars with Ari Folman’s Hollywood satire The Congress is an effective demonstration of how originality and quality don’t always go hand-in-hand. Of the two films, The Congress is far and away the most original, draping an overabundance of ideas offer a scaffolding constructed out of equal parts…
Birdman, or the Unexpected Virtue of Ignorance (2014)
Birdman, or the Unexpected Virtue of Ignorance is a divisive film, leading this year’s Golden Globe nominees and attracting a suite of five star reviews on one hand and repulsed pans on the other. It’s the sort of film that invites – nay, demands – hyperbole. The screenplay even presents the viewer with two distinct…
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