If you’ve been following ccpopculture for a while, you might have noticed that kids’ films are rarely reviewed here. That’s not an accident; I’m simply aware of my strengths and weaknesses as a critic, and writing about children’s entertainment is most definitely a weakness. When it comes to Shaun the Sheep, for instance, I can…
You don’t have dig particularly deep to find similarities between Andrey Zvyagintsev’s Russian drama Leviathan and Nuri Bilge Ceylan’s Turkish drama Winter Sleep. They were erstwhile competitors across last year’s arthouse awards season; Ceylan took the lead early by picking up the Palme d’Or at Cannes, but Leviathan was more successful in more mainstream awards…
The world of T.S. Spivet (Kyle Catlett) is certainly inviting. It’s a splendiferous realm of rare bugs, perpetual motion machines and preternaturally gifted preteens, painted in a hyper-saturated palette of green grass, gold wheatfields and cerulean skies. Save for the dead twin brother, who wouldn’t want to live there? Jean-Pierre Jeunet delves into dense fantasia…
Is it weird that I associate Aussie alt-rocker Courtney Barnett with Aussie comedian Hannah Gadsby? They don’t look much alike but I don’t think it’s a crazy comparison to make. Both possess the straight-talking, cigarettes-and-VB aura of Australiana. They both spent at least some of their formative years in Tasmania. Each has succeeded in traditionally…
The original French title of Girlhood is Bande de filles – roughly, “girl gang” – and the difference between the two titles is illustrative of the dualism of director Céline Sciamma’s approach to the film. Centring on sixteen year old girl Marieme (Karidja Touré), the film provides an individual-centric portrait of her experience – friendship,…
Comparing David Cronenberg’s Hollywood satire Maps to the Stars with Ari Folman’s Hollywood satire The Congress is an effective demonstration of how originality and quality don’t always go hand-in-hand. Of the two films, The Congress is far and away the most original, draping an overabundance of ideas offer a scaffolding constructed out of equal parts…
On the surface, Insurgent appears to be a substantial upgrade to Divergent. The cast is fleshed out with the likes of Naomi Watts and Octavia Spencer, we’ve got a new director (Robert Schwentke, responsible for The Time Traveller’s Wife and, uh, R.I.P.D.) and we’ve even moved to the third dimension. Visually, we’ve definitely stepped things…
Advanced Style is an affirming document of ageing – not gracefully, but stylishly. The film consists of a series of warm portraits of women in their 60s and over; women who embody their intelligence and artistry in their carefully-orchestrated appearance. As someone utterly ignorant of fashion, I admit to having some degree of trepidation. But…
Hollywood has never really known what to do with Chris Rock. That’s been increasingly apparent over the last decade or so, with the so-called “the funniest man in America” finding work as either a cartoon zebra in the Madagascar series or as Adam Sandler’s Friend in The Longest Yard, You Don’t Mess with the Zohan…
The toxic critical reaction to Neil Blomkamp’s latest sci-fi flick, Chappie, is understandable coming from those expecting the film to offer up a coherent social allegory, a coherent narrative or coherent action. It doesn’t deliver on those expectations. But once you recognise that the sharp satire of District 9’s opening half is an outlier rather…
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