It Follows (2014)

The main point of comparison for most people reviewing It Follows is Halloween. Undeniably, David Robert Mitchell’s debut feature, an insidious, diamond-sharp indie horror flick, draws heavily from John Carpenter’s classic. That’s apparent from its opening frame, an image of an American suburban street whose expansive front lawns carpeted by auburn autumn leaves could be…

Dear White People (2014)

As its title suggests, Dear White People is a statement as much as a film, tackling modern-day race relations. Justin Simien’s debut feature stages its satirical drama in Winchester University, a fictional American college where residential colleges are divided – and, ultimately, fractured – along race lines. Early on I fretted that its insistence on…

Living is Easy with Eyes Closed (2013)

Living is Easy with Eyes Closed resembles an old Polaroid of the Andalusian seaside, yellowed by the summer sun and age alike. Despite its title – cribbed from “Strawberry Fields Forever” –it cuts through any nostalgic haze to present a clear-eyed portrait of 1966 Spain, its beauty and its injustice. The story told is an…

Samba (2014)

Samba (Omar Sy) and Alice (Charlotte Gainsbourg) are two people on the edge. Samba, an illegal immigrant whose spent the past decade in France, lives with the perpetual threat of deportation, while Alice, his caseworker, lives with a mental illness that recently culminated in a breakdown which put her career in jeopardy. Each of them…

Mommy (2014)

Xavier Dolan’s fifth film, Mommy – released when the director was only twenty-five – is certainly his most mature work of an already outstanding filmography. An intimate portrait of the tenuous triangle formed between Die (Anne Dorval), her ADHD son, Steve (Antoine-Olivier Pilon) and her neighbour – and would-be lover – Kyla (Suzanne Clément), it’s…

The Riot Club (2014)

Consuming the pop culture output of a country helps to develop an understanding of that country. Case in point: the United Kingdom. Despite my very English background (three quarters of my grandparents and my father were born there), I’ve never visited old Britannia, yet my familiarity with British television and movies has engendered a sense…

x+y (2014)

x+y demonstrates that a documentarian’s skills don’t always translate into the world of fiction films. Director Morgan Matthews has been making documentaries since 2002, but this film is his first foray into fictional features. x+y takes inspiration from his 2007 film, Beautiful Young Minds, telling the story of Nathan, an autistic, talented teenage mathematician (Asa…

Fast & Furious 7 (2015)

The Fast & Furious franchise’s seventh lap contains few surprises for those familiar with the franchise. Fast & Furious 7 (originally titled just Furious 7) doesn’t deviate from the well-worn path established by its predecessors, delivering the same mix of cars, fights, absurd stunts and bro-y banter that’s sustained the series for the past fourteen…

The DUFF (2015)

The premise of The DUFF is taken from a novel published in 2010, but it feels two decades older than that. DUFF, you see, stands for “designated ugly fat friend”; the kind of jokey attempt at anthropological analysis of high schoolers that went out of fashion around Mean Girls. The film’s titular DUFF is Bianca…