Meryl Streep adds ‘Righteous-Rock-Chick’ to her resume in this breezy dramedy by Jonathan Demme. A musical masterpiece this is not. But it does offer a meaty slice of familial tribulation as the eponymous Ricki Rendazzo (Streep) attempts to reconnect with resentful offspring following self-imposed exile. Streep, the consummate pro, is clearly having a good time…
This movie is good. Like, really, non-cliché, good. I’d rewatched the previous, Timothy-Olyphant-starring Hitman film in preparation for this one. I’d enjoyed it. It wasn’t a cinematic masterpiece, but still an enjoyable film. After watching Hitman: Agent 47 however, it simply pales in comparison. Agent 47’s action sequences are superb, and the stunts leave you…
She’s Funny That Way, the new comedy from famed New York director Peter Bogdanovich, is achingly inauthentic from start to finish. In part, that’s a reflection of its inception as a refurbished script from last millennium dusted off for a contemporary setting. This explains why, in 2015, a part-time call girl (Imogen Poots) still takes…
Dope begins with three dictionary definitions of the title, suiting the purposeful restlessness of a movie that’s neatly trisected into three distinct sections: each one assured, stylish and articulate. The first half is a teen film – all the colourful kineticism of Me and Earl and the Dying Girl except with, y’know, something to say…
I love “hard man” films. Dirty Harry, Schwarzenegger, Jean-Claude, Seagal, Jet Li, Statham; the one thing they all possessed was a sense of controlled violence waiting to be unleashed. Unfortunately, Transporter Refueled has all the danger of a kitten playing with a ball of string. Ed Skrein manages the walking tall part adequately, but instead…
On the surface, this gritty boxing drama looks an awards season hopeful. Southpaw features a stellar cast headlined by Jake Gyllenhaal – replete with sweaty washboard abs. Unfortunately the film is a disappointing bore. Gyllenhaal puts in a commendable performance as champion pugilist Billy Hope, but the plot plods along, punch-drunk from decades of flogging…
The Gift opens on ominous shots of an abandoned, modernist mansion, grey stone and brown wood gleaming dully in the afternoon L.A. sun. Soon, Simon (Jason Bateman) and Robyn (Rebecca Hall), a professional couple from Chicago, will be escorted through the hollow house by a real estate agent. But for now it lies dormant, the…
It’s probably impossible to make a film about Joan of Arc without at least acknowledging the long shadow cast by Dreyer’s The Passion of Joan of Arc. Luc Besson’s 1999 interpretation steers into that skid; like Dreyer’s film, significant chunks of Joan of Arc: The Messenger are filmed in close-up, but the lens of choice…
Catching The Man from U.N.C.L.E. on the tail-end of a Mission: Impossible marathon brings into focus how different Guy Ritchie’s latest feels from both the average spy thriller and today’s typical blockbuster. This isn’t to say there’s anything especially innovative going on here – outside of the ‘60s setting, it’s a pretty standard spy story…
Creep isn’t so much a movie as a goof, an 82 minute micro-budget riff on Mark Duplass’s inflated New Age persona (as in seen in the likes of The Mindy Project). Despite assuming a found-footage horror genre, the film isn’t especially scary or suspenseful; despite the title, Duplass’ character, “Joseph”, isn’t so much pathologically creepy…
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