“Where are you going!?” “Nowhere.” Australian director Sue Brooks takes a prismatic approach to Looking for Grace, a tale of family, infidelity and theft told from a variety of perspectives. It’s not quite Rashomon, though. Fractured, non-linear narratives rely on the strength of their individual storylines as well as the whole, whether aiming for ‘everything’s…
Early in The Hateful Eight, John “The Hangman” Ruth (Kurt Russell) encounters Major Marquis Warren (Samuel L. Jackson), warning him to move slowly – “molasses-like” – while keeping his firearm fixed on the stranger. You could say that the film itself is comparably molasses-like; dense and dark in its substance while deliberately unhurried in its…
Filmed in Supermarionation is a modest documentary about the production companies responsible for – amongst other series forgotten to anyone who isn’t old and British – Thunderbirds. Talking heads recount from the ramshackle early days of the studio (involving flagrantly terrible puppetry from amateurs who knew no better) all the way up to post-Thunderbirds series…
The first chapter in a book-to-film young adult franchise has to balance telling a complete story with setting the stage for future entries. The 5th Wave is the latest to attempt that challenge, but it never finds its footing – the story is plodding, anti-climactic, and never gives any sense of the world needed for emotional investment…
There was a heaviness in the air when I put on The Grey Blu-Ray. It was Monday night; not long after the news of Bowie’s death, not long after a friend’s father had passed away. The air was warped by the weight of the precariousness of life, particularly given my own circumstances; I was visiting my parents…
Brian De Palma’s films are an acquired taste. That’s especially apparent with Body Double, an uninviting experience for those unfamiliar with the director with plenty to offer those who’ve come around to his distinctive style. As a straightforward (and rather lurid) thriller, it’s somewhat unsatisfactory, hamstrung by its inherent implausibility and its leading man’s anti-charisma.…
“Truth is like poetry. And most people fucking hate poetry.” The above quote appears roughly midway through The Big Short, Adam McKay’s star-studded, irreverent take on 2008’s global financial crisis. It’s an effective encapsulation of a film that operates as the rare piece of ‘edutainment’ that’s both legitimately educational and entertaining while providing a self-reflexive…
By any ‘objective’ measure, People Places Things has a terrible screenplay. It’s a romantic comedy almost completely bereft of comedy. It centres its entire first act on the challenges of being a single father – with cartoonist/teacher Will (Jemaine Clement) frantically dashing his twin daughters between work and home and school – before jettisoning any…
Paul Feig has a lot to answer for. Judd Apatow too, come to think of it. These two men, who cut their teeth on Freaks and Geeks, have cast the mould for modern American comedy: in Apatow’s case, extended tales about arrested adulthood, in Feig’s case, putting women front-and-centre of the kind of crude comedies…
I suppose Peanuts, the comic strip, has dimmed in the public consciousness since Schulz’s death in 2000. As a kid’s IP, the ageing Peanuts brand has a lot to do in a world with Minions and Frozen. I left the theatre mostly satisfied; this is the Peanuts you remember – sweet, nostalgic and populated by…
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