Knives Out (2019)
Knives Out is a classic whodunit, defined by plentiful lies and a ludicrous set of twists and turns engulfing its oversized characters.
21 Bridges (2019)
For about forty minutes, 21 Bridges is a compelling film.
Gears, Pedals and the Male Ego: The Machinations of Ford v Ferrari
Though well-intended, Ford v Ferrari’s insistence on old-fashioned filmmaking means it trades any insights for entertainment.
Terminator: Dark Fate (2019)
Dark Fate is, in my book, the best attempt to continue the Terminator franchise since 1991. It’s a shame that it just happens to be dead on arrival.
Monster Fest: Rabid (2019)
The ideas are all there, but they’re wrapped up in a clumsily-configured storyline let down by its clichéd characterisations.
Monster Fest: The Furies (2019)
There’s nothing especially original about neo-slasher The Furies, but its purity sets it apart.
After the Wedding (2019)
This is mostly an excuse for Michelle Williams and Julianne Moore to flex their acting muscles.
Ready or Not Is That Rare Horror-Comedy with Real Laughs
Horror comedies are hard. Ready or Not proves they don’t have to be.
Blinded by the Light (2019)
At its best, Blinded by the Light is an encapsulation of the power of music.
Zombieland: Double Tap (2019)
Zombieland: Double Tap will sell tickets off the promise of exploding zombies and sarcastic asides. Thankfully, it has both in droves.
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