We Summon the Darkness (2019)

We Summon the Darkness is a perfectly competent horror film.

Bloodshot (2020)

Bloodshot is a Bon Jovi movie. I call it that because – in every respect – it’s only halfway there.

Dark Waters interrogates the clash between corporate values and America’s espoused Christian ideology with astonishing sophistication.

Guns Akimbo is blessed with a few encouraging attributes, but undermined by its messy, misguided politics.

The Invisible Man is a showcase for its writer-director’s obvious love and talent for genre cinema.

Stanley’s film eschews familiar threats for something indefinable.

Eastwood’s gentle touch steers Richard Jewell towards sympathy at every turn.

Birds of Prey is a restlessly fun, unapologetically female action-comedy breathing new life into the DCEU.

You can’t fault Robert Eggers’ ambition.

It’s curious praise to note that a film makes you want to book a therapist’s appointment, but this is a curious film.