Happy End (2017)
Happy End is another distancing dose of misanthropy from the misanthropic master, Michael Haneke.
Happy End is another distancing dose of misanthropy from the misanthropic master, Michael Haneke.
I suppose it was inevitable. At some point, there was going to be a misfire in Marvel Studios’ Phase Three. Just as it wraps up, here it is: Ant-Man and the Wasp.
Rungano Nyoni’s first feature, I Am Not a Witch, is one hell of a début.
Search Party’s really about the search for purpose in your twenties – a search that is often ludicrous, misguided and self-absorbed.
Faces Places bubbles with irrepressible charm.
When I first heard about a sequel to Sicario – one of my favourite films of 2015 – my first thought was ‘why does this need to exist?’ Having seen the film, I don’t have a satisfactory answer to that question.
I wish there were more studio comedies like Tag.
Pixar have got their mojo back.
Ocean’s Eight might be a heist film, but the real scam here is the film itself.
Like many horror films, Hereditary corrupts the familial safety of domesticity, but it inverts the traditional perspective.