Aquaman (2018)
Aquaman really needed to be another Wonder Woman.
It’s not.
Aquaman really needed to be another Wonder Woman.
It’s not.
Vice makes contemporary politics fun and funny while underlining its monstrous corruption.
Bumblebee eschews the Escherian excess and all-out warfare of Michael Bay’s films for clean compositions and comparative spatial clarity.
This is an underdog story with heart, as entertaining (if not as well-crafted) as Coogler’s predecessor.
Forget nu-Suspiria; Climax is the film of 2018 that truly gives itself over to the dance.
But Widows exhibits cosmetic similarities with the heist genre, it resolutely resists generic conventions.
Israeli drama Foxtrot evinces a restless creativity that’s occasionally exhausting but often compelling.
The problem with Fantastic Beasts: Crimes of Grindelwald is that it’s trying to do way too much.
My issue with Suspiria is that it’s neither thrilling, nor scary, nor fun.
For better or worse, Seven Mortal Sins is the epitome of ecchi anime.