New Blood in a Deteriorating Body: Logan
At this point, a superheo film eschewing setting up spinoffs and post-credit scenes in favour of robust character development feels almost revolutionary.
At this point, a superheo film eschewing setting up spinoffs and post-credit scenes in favour of robust character development feels almost revolutionary.
There’s been a wealth of conversation recently about the increasing homogenisation of superhero films: Matt Zoller Seitz kicked off the discussion with his piece on “Things Crashing Into Other Things” and I can’t dispute his points. Even if you enjoy most of the new wave of big budget superhero pictures, it’s hard not to notice…
X-Men: First Class is a breezy slice of blockbuster. It’s fun while dabbling in the conventional superhero stuff – origin stories and brief banter, all interspersed with the mandatory action – but stumbles when it tries to be something more than disposable entertainment. There’s a lot to like here. Matthew Vaughan frolics through the sixties…
As an introduction to a film series that’s still going fourteen years later, X-Men did everything it needed to. Specifically: be an adequate film with an amazing cast. There’s not much to X-Men. It’s more like a feature length television pilot than a complete movie, spicing up its introduction to this world of superpowered mutants…
I watched Lifeforce with high expectations. After all, it’s a sci-fi/horror B-movie written by the director of Return of the Living Dead, from the director of Texas Chainsaw Massacre and adapted from a novel called … Space Vampires. But the first hour of the film lowered those expectations dramatically. Sure, there’s a gorgeous, completely naked…