James White (2015)

Along with another one of last year’s directorial debuts – John Magary’s The Mend – Josh Mond’s James White signals a new direction for New York indie cinema. Inspired by the improvisational energy of early Cassavettes and Jarmusch’s calculated coolness, James White offers an unconventional coming-of-age narrative that incorporates tragedy without allowing it to sublimate…

Cartel Land (2015)

Cartel Land was one of 2015’s most successful documentaries, earning a cavalcade of critical praise and even an Oscar nomination. It’s not hard to see why; Matthew Heineman’s film combines a contentious contemporary issue – Mexico’s fraught, cartel-dominated ‘drug war’ and tensions along the U.S.A./Mexico border – with kinetic, ‘can-you-fucking-believe-they-got-that-shot’ cinematography. It’s the kind of…

Trumbo (2015)

For a film about a screenwriter’s perseverance for creative expression, Trumbo is rarely as inspired or diligent. Based on the life of Dalton Trumbo (Bryan Cranston), director Jay Roach’s biopic settles for a cordial yet straight-laced snapshot of 1950s Hollywood, unable to elevate political and libertarian motifs off the page. After being unjustly imprisoned for his…