Fashion Will Eat Itself: The Empty Stylism of The Neon Demon
We’re so pretty, oh so pretty … vacant.
The Raid 2: Berandal (2014)
In my review of 2011’s The Raid: Redemption, I discussed its opening shot, a close-up on a gun and watch, heralded the film’s violence and clockwork tautness. Gareth Evans’ sequel to his modern action classic opens on a long shot of a field of crops, grey-tinged by a sullen sky and lacerated by paths twisting…
The Top 20 Films of 2013
My Top 20 films of the year are listed below. For most them, clicking on the title will take you to my review of the film from earlier in the year. One qualifier before I begin: this doesn’t neatly fit into a “films of 2013” from a cinematic release perspective; thanks to film festivals and…
Only God Forgives (2013)
Only God Forgives is not a pleasant experience. Watching it is akin to letting viscous ichor fill your veins. It’s like a David Lynch take on a spaghetti-western tale of revenge; the deep rumbling bass tones, thick shadows and vibrant, hellish reds channel Lynch’s style. The dark, labyrinthine corridors that contain Julian (Ryan Gosling)’s Bangkok…
Awards Roundup – Family, Liebster, Sunshine Awards
(Note: this post does not follow the normal 200-word word limit of this blog) First up – I’ve been pretty slack when it comes to posting these awards. This is mostly because I’m still venturing my way into the blogosphere (if that’s even a word), and partly because it was basically impossible to do an…
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