Hail, Caesar! Writes its Love Letter to Hollywood with a Poison Pen

If there’s one constant across the Coens’ intimidating filmography, it’s the brothers’ affection for cinema in all its forms. Right from their debut, Blood Simple – an intricately-plotted neo-noir – they’ve paid homage to Hollywood history, whether aping noir aesthetics (in both Blood Simple and The Man Who Wasn’t There) or gently parodying noir conventions…

Office (2015)

Is it weird that cinema is almost entirely absent realistic presentations of office politics? Don’t expect Office, an office-drama-comedy-romance-musical from Hong Kong director Johnnie To to buck that trend. Realism is almost entirely avoided in this tale of ambition, set in the heady times of pre-GFC 2007 and staged on an abstract, artificial, gorgeous set…

Pitch Perfect 2 (2015)

There are two Pitch Perfects in Pitch Perfect 2. The first Pitch Perfect is pretty much the Pitch Perfect you’d expect – the first one all over again. This Pitch Perfect takes the Ghostbusters approach to sequels, by repeating all the same beats and bits note for note. All female a capella group the Barden…

Finding Fela! (2014)

Finding Fela!, a documentary from Alex Gibney (The Armstrong Lie, Enron: The Smartest Guys in the Room) about legendary Nigerian singer/political dissident Fela Kuti, follows the model popularised by the Oscar-winning Searching for Sugar Man. That model, found in the likes of Finding Vivien Maier, The Last Impresario, A Band Called Death – tends to…

Chris Pine in Into the Woods (2014)

Into the Woods (2014)

Musicals and I have never really been on the same wavelength. As a child I can vividly recall watching Disney classics like Sleeping Beauty or Snow White and the Seven Dwarves and sinking in my seat when the inevitable musical numbers began. That antipathy remains, decades later. The first film I was assigned to review…

Jersey Boys (2014)

Jersey Boys is based on the hugely successful Broadway musical telling the story of Frankie Valli and the Four Seasons, but it isn’t exactly a musical – if we disregard the weirdly incongruous musical number that plays over the credits, anyway. Musical biopic would be a better description, as we follow the career of Frankie…