After the Wedding (2019)
This is mostly an excuse for Michelle Williams and Julianne Moore to flex their acting muscles.
Tom Hardy Elevates Venom’s Superhero Throwback Silliness
Venom’s small-scale idiosyncrasies will surely disappoint comic book fans …but if you’re looking for a goofy film that recalls trashy genre films from the ‘80s, you’re in luck.
All the Money in the World (2017)
As a representation of the corrupting influence of money – whether in the hands of mafioso or oil barons – All the Money in the World is successful if simplistic.
Boys Don’t Cry: The Masculine Melodrama Of ‘Manchester By The Sea’
Manchester by the Sea’s protagonist represents the distillation of uncommunicative masculinity as well as its deleterious effects.
Double Feature: While We’re Young (2014) and Take This Waltz (2011)
Towards the end of Noah Baumbach’s latest film, While We’re Young, protagonist Josh (Ben Stiller) laments the feeling of being a “child imitating an adult.” It’s a familiar, facile observation. It’s the kind of thing that people say when their life is absent real concerns – about money, illness or the like – and they’re…
Blue Valentine (2010)
Blue Valentine tells a simple story of a marriage: how Dean (Ryan Gosling) and Cindy (Michelle Williams) meet, experience that thrill of infatuation … and how, years later, that thrill stagnates and calcifies as their relationship is on the precipice of collapse. It’s a drama, but it avoids easy dramatic clichés like tragic accidents, disease…
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